Product details
Floral print dress
Cocktail dress adorned with floral motive, form hug bodice, features a V-neckline, supports fine cleavage, has shoulder straps, covered back, with zipper in the middle seam, high pleated waistline adorned ribbon bow, swirling skirt, fancy polyester sheath styled garb with satin lining, choice of S / M / L
Fitting: form fit
Material lining: satin lining
Neckline: V-neckline
Pattern: skater styled
Details: adorned floral motive
Sleeves length: sleeveless
Material outer layer: polyester
Cleaning treatment: non machine wash, do not tumble dry, dry clean



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Dresses were made snug by featuring slits on the sides of the dress that were pulled tight in order to fit a woman's figure. Starting in the 1550s, middle- and upper-class women in Europe wore dresses which included a smock, stays, kirtle, gown, forepart, sleeves, ruff and a partlet. Undergarments were not worn underneath. In England, Queen Elizabeth dictated what kinds of dresses women were allowed to wear. French women were inspired by Spanish-style bodices and also wore ruffs. French dresses were known as marlottes. In Italy, dresses were known as ropa and semarra. Dresses in the 16th century also displayed surface decoration such as embroidery, with blackwork being especially popular. Women's dresses in Russia during both the 16th and 17th centuries identified a woman's place in society or their family. Holland, as a center of textile production, was a particularly noted area of innovation in dress fashion during the 17th Century. In Spain and Portugal, women wore stomachers while in England and France, dresses became more "naturally" shaped. Lace and slashing were popular decorations. Skirts were full, with regular folds and the overskirt allowed the display of an underskirt of contrasting fabric. Necklines became lower as well. Embroidery that

























