Product details
Galajurk met vlindermouwen
Galajurk met ruches, gedetailleerd bovenlijf met V-hals is versierd kanten rand, toont fijne decolleté, open bovenkant rug, heeft korte vlindermouwen, hoge geplooide tailleband, discrete rits op de rug, uitlopende rok, lange sluik vallende chiffon jurk met zachte satijn voering, keuze uit 2XL / 3XL / 4XL / 5XL
Pasvorm: aansluitend
Materiaal binnenste laag: satijnen voering
Halslijn: V-hals
Patroon: sluik vallende
Details: versierd kant
Mouwen: korte mouwen
Materiaal buitenste laag: chiffon
Wasvoorschriften: niet geschikt voor de wasmachine of droger, chemisch reinigen



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Dresses were made snug by featuring slits on the sides of the dress that were pulled tight in order to fit a woman's figure. Starting in the 1550s, middle- and upper-class women in Europe wore dresses which included a smock, stays, kirtle, gown, forepart, sleeves, ruff and a partlet. Undergarments were not worn underneath. In England, Queen Elizabeth dictated what kinds of dresses women were allowed to wear. French women were inspired by Spanish-style bodices and also wore ruffs. French dresses were known as marlottes. In Italy, dresses were known as ropa and semarra. Dresses in the 16th century also displayed surface decoration such as embroidery, with blackwork being especially popular. Women's dresses in Russia during both the 16th and 17th centuries identified a woman's place in society or their family. Holland, as a center of textile production, was a particularly noted area of innovation in dress fashion during the 17th Century. In Spain and Portugal, women wore stomachers while in England and France, dresses became more "naturally" shaped. Lace and slashing were popular decorations. Skirts were full, with regular folds and the overskirt allowed the display of an underskirt of contrasting fabric. Necklines became lower as well. Embroidery that

























