Product details
Strapless maxi gown
Strapless evening gown, form hug bodice features a sweetheart neckline, enhanced burst-line, has back lacing, zipper in lower middle seam, high pleated waistline, swirlining skirt with knee high slit, elegant A-line style formal wear piece in chiffon with satin lining, choice of S / M / L
Fit: Form fit
Material inner layer: satin
Neckline: sweetheart neckline
Pattern: A-line style
Details: knee high slit
Sleeves length: sleeveless
Material outer layer: chiffon
Washing instructions: do not machine wash or tumble dry, dry clean only



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Dresses were made snug by featuring slits on the sides of the dress that were pulled tight in order to fit a woman's figure. Starting in the 1550s, middle- and upper-class women in Europe wore dresses which included a smock, stays, kirtle, gown, forepart, sleeves, ruff and a partlet. Undergarments were not worn underneath. In England, Queen Elizabeth dictated what kinds of dresses women were allowed to wear. French women were inspired by Spanish-style bodices and also wore ruffs. French dresses were known as marlottes. In Italy, dresses were known as ropa and semarra. Dresses in the 16th century also displayed surface decoration such as embroidery, with blackwork being especially popular. Women's dresses in Russia during both the 16th and 17th centuries identified a woman's place in society or their family. Holland, as a center of textile production, was a particularly noted area of innovation in dress fashion during the 17th Century. In Spain and Portugal, women wore stomachers while in England and France, dresses became more "naturally" shaped. Lace and slashing were popular decorations. Skirts were full, with regular folds and the overskirt allowed the display of an underskirt of contrasting fabric. Necklines became lower as well. Embroidery that

























