Product details
60,00 €
You save:
15,95 €
SKU: SS-5801
Tunic dress, asymmetric slip with thin shoulder straps, open top shoulder with low cut sweetheart neckline, tailored from Nylon with zig zag print
Asymmetric tunic dress
Quality tunic dress, asymmetric loose fit top, open shoulder with low cut sweetheart neckline, fine cleavage, sleeveless slip wear with thin shoulder straps, Nylon zig zag print, knee high with side pockets, choice of S / M / L, fancy top suitable for skirt or leggings
Fit: loose fit
Neckline: sweetheart neckline
Pattern: asymmetric tunic dress
Details: zig zag print
Sleeve length: thin shoulder straps
Material outer layer: nylon print
Washing instructions: do not tumble dry, dry clean only
Units in box: 1
Dresses were made snug by featuring slits on the sides of the dress that were pulled tight in order to fit a woman's figure. Starting in the 1550s, middle- and upper-class women in Europe wore dresses which included a smock, stays, kirtle, gown, forepart, sleeves, ruff and a partlet. Undergarments were not worn underneath. In England, Queen Elizabeth dictated what kinds of dresses women were allowed to wear. French women were inspired by Spanish-style bodices and also wore ruffs. French dresses were known as marlottes. In Italy, dresses were known as ropa and semarra. Dresses in the 16th century also displayed surface decoration such as embroidery, with blackwork being especially popular. Women's dresses in Russia during both the 16th and 17th centuries identified a woman's place in society or their family. Holland, as a center of textile production, was a particularly noted area of innovation in dress fashion during the 17th Century. In Spain and Portugal, women wore stomachers while in England and France, dresses became more "naturally" shaped. Lace and slashing were popular decorations. Skirts were full, with regular folds and the overskirt allowed the display of an underskirt of contrasting fabric. Necklines became lower as well. Embroidery that
