Product details
Camel print tunic
Printed polyester tunic with long sleeves, leopad print covered bodice, adjustable colar, body fit torso, covered back with discrete zipper, flattering waistline with adjustable straps, flared skirt with ruffles, trendy midi dress with satin lining, available only online, choice of S / M / L
Material inner layer: satin lining
Neckline: V-neck
Pattern: slip tunic dress
Details: camel print
Sleeve length: long sleeves
Material outer layer: stretch polyester
Washing instructions: do not tumble dry, machine wash at 30°C, gentle cycle



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Dresses were made snug by featuring slits on the sides of the dress that were pulled tight in order to fit a woman's figure. Starting in the 1550s, middle- and upper-class women in Europe wore dresses which included a smock, stays, kirtle, gown, forepart, sleeves, ruff and a partlet. Undergarments were not worn underneath. In England, Queen Elizabeth dictated what kinds of dresses women were allowed to wear. French women were inspired by Spanish-style bodices and also wore ruffs. French dresses were known as marlottes. In Italy, dresses were known as ropa and semarra. Dresses in the 16th century also displayed surface decoration such as embroidery, with blackwork being especially popular. Women's dresses in Russia during both the 16th and 17th centuries identified a woman's place in society or their family. Holland, as a center of textile production, was a particularly noted area of innovation in dress fashion during the 17th Century. In Spain and Portugal, women wore stomachers while in England and France, dresses became more "naturally" shaped. Lace and slashing were popular decorations. Skirts were full, with regular folds and the overskirt allowed the display of an underskirt of contrasting fabric. Necklines became lower as well. Embroidery that

























