Product details
225,00 €
SKU: AD-0278
Lange mouw galajurkje, heeft verstevigd borstlijn dat ondersteunt ondersteunt mooi decolleté, sluik vallende chiffon jurkje met satijn voering, inclusieve sjaaltje
fabrikant modieuze jurken versierd met kralen, feestelijke jurken bruiloft, spot de ideale outfit voor elke evenement, ruime keuze van klassieke vloer lange jurken om naar de bruiloft, goede pasvorm moeder van de bruidsjurken, deze merkkleding is bekend voor kwaliteit, textiel van kleding en innovatie in trends, dresscode voor White tie feest, ontdek zorgvuldig afgewerkt collectie jurken in chiffon, voile en kant, gala outfits de passende bij elke vrouw, bekijk lange avondjurken met dunne of brede schouderbanden in chiffon, kant of mix chiffon kant, flatterende baljurk met geplooide taillebanden, collectie is inclusief trouwjurken, strapless of met mouw, ruime style catalogus, zie aparte bruidsjurk met ballon rok, van trompet model, A-lijn of zeemeermin model trouwjurken in alle kleurenGalajurkje met sjaal
Galajurkje met kantborduursel, nauwsluitende lijfje met een lage afgesneden V-hals, verstevigd borstlijn zorgt voor mooi decolleté, bedekt rug, bevat ritssluiting in de middelnaad, hoge geplooide taille, wijde uitlopende rokje, lange mouw chiffon mix kant galakledij met satijn voering, keuze van S / M / L / XL
Pasvorm: goede pasvorm
Materiaal binnenlaag: satijn voering
Halslijn: lage uitgesneden V-hals
Patroon: aangepast A-lijn jurkje
Details: bijpassende sjaal
Mouwlengte: driekwart lange mouwtjes
Materiaal buitenlaag: chiffon kant
Wasvoorschriften: niet geschikt voor de wasmachine of droger, chemische reiniging
Eenheden in doosje 2
Dresses were made snug by featuring slits on the sides of the dress that were pulled tight in order to fit a woman's figure. Starting in the 1550s, middle- and upper-class women in Europe wore dresses which included a smock, stays, kirtle, gown, forepart, sleeves, ruff and a partlet. Undergarments were not worn underneath. In England, Queen Elizabeth dictated what kinds of dresses women were allowed to wear. French women were inspired by Spanish-style bodices and also wore ruffs. French dresses were known as marlottes. In Italy, dresses were known as ropa and semarra. Dresses in the 16th century also displayed surface decoration such as embroidery, with blackwork being especially popular. Women's dresses in Russia during both the 16th and 17th centuries identified a woman's place in society or their family. Holland, as a center of textile production, was a particularly noted area of innovation in dress fashion during the 17th Century. In Spain and Portugal, women wore stomachers while in England and France, dresses became more "naturally" shaped. Lace and slashing were popular decorations. Skirts were full, with regular folds and the overskirt allowed the display of an underskirt of contrasting fabric. Necklines became lower as well. Embroidery that
