Product details
Galajurk met borduursel
Galajurk met kniehoog split, lange verleidelijke A-lijn jurk, nauwsluitende lijf met kant heeft V-hals, toont mooi decolleté, open top rug met elastische band, hoge geplooide taille, wijd uitlopende rok, fit en flair feestelijke chiffon jurk met satijn voering passende bij bruiloft, keuze van S / M / L
Pasvorm: goede pasvorm
Materiaal binnenlaag: satijn voering
Halslijn: V-hals
Patroon: fit en flair
Details: versierd met kant
Mouwlengte: zonder mouwen
Materiaal buitenlaag: chiffon
Wasvoorschriften: niet geschikt voor de droger, chemische reiniging



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Dresses were made snug by featuring slits on the sides of the dress that were pulled tight in order to fit a woman's figure. Starting in the 1550s, middle- and upper-class women in Europe wore dresses which included a smock, stays, kirtle, gown, forepart, sleeves, ruff and a partlet. Undergarments were not worn underneath. In England, Queen Elizabeth dictated what kinds of dresses women were allowed to wear. French women were inspired by Spanish-style bodices and also wore ruffs. French dresses were known as marlottes. In Italy, dresses were known as ropa and semarra. Dresses in the 16th century also displayed surface decoration such as embroidery, with blackwork being especially popular. Women's dresses in Russia during both the 16th and 17th centuries identified a woman's place in society or their family. Holland, as a center of textile production, was a particularly noted area of innovation in dress fashion during the 17th Century. In Spain and Portugal, women wore stomachers while in England and France, dresses became more "naturally" shaped. Lace and slashing were popular decorations. Skirts were full, with regular folds and the overskirt allowed the display of an underskirt of contrasting fabric. Necklines became lower as well. Embroidery that

























